White Pillows | Oil on Board, 25x25 cm
Elaine Speirs was born in Johannesburg and moved to Paisley as a child. Her childhood experiences in and between these two places spurred an interest in the themes of fragility, contradiction and reinvention that recur throughout her work.
Speirs explores the stark contrast she observes between the rich contours of female personhood and the depersonalised portraits of women that appear in the public sphere. Referencing a variety of imagery – ranging from eighteenth century portraiture to contemporary photography – the work reclaims the fleeting moments of humanity Speirs glimpses in these images, establishing a tentative connection between the distant and the intimate, between the universal and the personal, between glamour and the everyday.
Speirs is fascinated by the uneasy coexistence of contradictory states: strength and vulnerability, loneliness and hope, freedom and control. Speirsexamines these tensions by employing a dynamic technique of wiping and layering that suggests the human process of erasure and reinvention. We are left with a series of momentary resolutions that contain both clarity and a sense of contingency.
Speirs trained at Edinburgh College of Art and the Slade School of Fine Art in London. A regular exhibitor at the RSA, with VSA, and at the SSA, she has also exhibited at the Mall Galleries in London. Her awards include the Glasgow Club Award (2012), the Caron Keating Memorial Award, Mall Galleries, London (2012) and the John Purcell Works on Paper Award, MallGalleries (2015). She was shortlisted for the National Open Art Competition (2014), the Threadneedle Painting Prize (2014), W Gordon Smith Award (2016) and pre-selected for the BP Portrait Award (2018). She lives in Edinburgh with her three daughters.