Breaking the Grid I | Household and Indian ink on waterford saunders watercolour paper, 130x90cm Framed
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Human habits and social behaviour inform an improvised process which combines collage, painting, and installation, sometimes of a public nature and not limited to the environment of a gallery.
Carnivals, makeshift shrines, allotment gardens, protest signage and handwritten notes are some of the found forms of expression which intrigue and stimulate my arts practice. I’m interested in the cultural artefacts and experiences that are created for celebration, mourning, demonstration, worship or survival which allow us, for a brief moment, to journey psychologically within the joy, sadness, meditation and belief, and freedom or dependence of our fellow beings.
What do these artefacts and experiences tell us about the human condition and what is there to learn by analysing the nature of our instinctual creative acts?
JOANNE HUMMEL NEWELL ( b.1982 UK) trained at the Royal College of Art London and was hailed as ‘the next generation to turn its back on Emin and Hirst’s conceptual works’ by the Observer. Joanne has exhibited internationally including 53rd Venice Biennale, Royal Academy Summer Exhibition and Jerwood Drawing Prize, as well as being shortlisted for the Beers London Contemporary Visions exhibition. Commendations include Head of collections at Soho House, Kate Bryan, as one of the ‘Must see artists at the Other Art Fair’ and the Times Newspaper ‘Picking up a Picasso is one click away’. Joanne has a growing international collector base and is included in public and private collections in UK, US, Hong Kong, Europe and Australia.